Pubdate: Thu, 18 May 2000
Source: Washington Times (DC)
Copyright: 2000 News World Communications, Inc.
Contact:  http://www.washtimes.com/
Author: Jeff Barnard, Associated Press

COUNTERCULTURE FINALLY MAKES 'TRIP' FROM '60S TO '00S

PLEASANT HILL, Ore. - For Ken Kesey, digital technology has made it 
possible to finish what LSD started back in the psychedelic '60s.

Working in a cluttered motel-room-turned-studio near his Oregon farm, the 
author and an old friend, Ken Babbs, have just completed the first 
installment of a movie from their 1964 LSD-fueled bus trip across America 
- -- the trip immortalized in Tom Wolfe's book "Electric Kool-Aid Acid Test."

Mr. Kesey, best known for his novel "One Flew Over the Cuckoo's Nest," had 
always intended to come out of the bus trip with a movie, "Intrepid 
Traveler and his Merry Band of Pranksters Look for a Kool Place." Despite 
recruiting a Hollywood film editor, however, he could never get the audio 
in sync with the pictures. Powered off the bus generator, the tape recorder 
had speeded up and slowed down when the bus did.

"It finally just broke our back," said Mr. Kesey, now 64.

Until now.

Mr. Babbs' son, Simon, and Mr. Kesey's son, Zane, transferred the film and 
the audiotape to a digital editing rig. With modern software and a turn of 
a knob, the sound and pictures came together. Like Frankenstein's monster, 
"Kool Place" lives.

"When people ask what my best work is, it's the bus," Mr. Kesey said. 
"Those books made it possible for the bus to become."

He had used the profits from "Cuckoo's Nest" to buy the old school bus and 
take his friends --known as the Merry Pranksters --to New York for the 
World's Fair and a party for his second novel, "Sometimes a Great Notion."

But the trip soon turned into more, for them and in the public imagination.

Mr. Kesey, who had tasted LSD in government trials, wanted to share it with 
the masses. A pitcher of LSD-laced orange juice was a staple of the bus 
refrigerator. The Pranksters put on LSD parties known as Acid Tests. (The 
drug was legal then; by 1968, half the states had criminalized it.)

The bus, nicknamed Further and painted in psychedelic colors, became a 
counterculture icon.

"I thought you ought to be living your art, rather than stepping back and 
describing it," Mr. Kesey said. The bus is "a metaphor that's instantly 
comprehensible. Every kid understands it. It's like John Ford's 
'Stagecoach' with John Wayne in the driver's seat just like Cowboy Neal."

Episode 1 scopes in on Neal Cassady, the wheelman from Jack Kerouac's "On 
the Road," who piloted the bus while turning out a stream of rhythmic 
rap-babble.

"It's what keeps this from just being 'what I did on my summer vacation,' " 
Mr. Kesey said. "We are keepers of the flame of Cassady."

The Proust-quoting Mr. Cassady, who had only a ninth-grade education, was a 
bridge between the Beats and the hippies. He died along a Mexican railroad 
track in 1968.

Mr. Kesey said his cinematic inspirations are Ingmar Bergman and Federico 
Fellini, but "Kool Place" is more like home movies --complete with Mr. 
Kesey stepping in front of the projector to inject comments.

The story would not be clear without Mr. Wolfe's book. But the images 
create an intimacy that makes the characters seem forever young, at a time 
when gas cost 28 cents a gallon.

In California oil fields, a highway patrolman pulls them over, but never 
suspects these college youths dressed like Tommy Hilfiger are packing LSD 
and marijuana. In Arizona, the bus gets bogged down in the sand by a river.

"I'm going to take some LSD," Mr. Kesey says. "Babbs could take some. 
Cassady, you want to take some?"

Mr. Cassady whispers, "I would, yes, I would."

A woman on her first acid trip swims in an algae-filled pool. Dogs and 
horses run by. Mr. Cassady returns with a farmer who pulls them to solid 
ground with a tractor.

In Houston, Mr. Kesey visits pal Larry McMurtry, and the Pranksters lose 
one of their number to a bad trip. In New Orleans, they jam with a piano 
player in a bar and get thrown out of a blacks-only beach.

Mr. Kesey is offering the film in video episodes -- there might be 10 -- in 
signed psychedelic boxes painted by him and Mr. Babbs on the motel 
bathroom's floor and sold on www.Intrepidtrips.com.

"We're the people who planted the seeds," Mr. Kesey said recently. "Whether 
it's artistically valid or not, we have to cultivate the crop."

Todd Gitlin, a New York University professor and author of "The Sixties," 
said the film won't add much to the historical record.

"Kesey was a force, and the bus trip, thanks to Tom Wolfe, took on mythic 
proportions," Mr. Gitlin said. As for the movie: "I would watch it if it 
was stuck in front of me."

But Aaron Kipnis, a professor of clinical psychology at Pacific Graduate 
Institute, said he is eager to check in with them again.

"I can't say whether it was the substance or the people, the environment or 
the time, but it moved me from being a street punk to being a spiritual 
seeker," he said.

"Instead of publishing words," he said, Mr. Kesey "published a way of being 
in the world."
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